The Standards – Dirty Old Town

A while ago I wrote that I was going to periodically write about bands covers of standard songs. I am finally writing up a follow to Come Out Ye Black and Tans. So, for my sequel, I bring to you Dirty Old Town. This past weekend, I have been listening heavily to Dirty Old Town. This song will always remind me of my oldest boy. I had a Pogues CD in the car and would listen to it, which contained the song, never realizing it was imprinting on him. One day, while in the car with his mom, he started singing a song, when asked what it was, he says in his tiny voice “I’m singing Dirty Old Town”. Today thinking about his little voice saying that makes me grin!

While one may think the song is Irish, given the popularity the Dubliners have given it, it is in fact an English song written by Ewan MacColl in 1949 about Salford, England. My first introduction to the song was through the Pogues and hearing it live by Eddie Delahunt, two different versions – rock vs. traditional. In the interest of brevity, I am focusing on the rock covers of the song, by bands in the Folk Punk and Folk Rock genre (sorry Rod Stewart fans, I just can’t bring myself to even try listening to his version.)

The bands I picked for my comparisons are:

  • Off Kilter
  • Cutthroat Shamrock
  • Hoist the Colors
  • Mudmen
  • The Dirges
  • The Tossers
  • American Wake

Each of these bands puts their own spin and touches on a song that has had a lasting impression. None of them play it in the style in the Pogues. Some are a bit more trad and others are much more rocked up. Off Kilters version is more jazzy than the others, starting out with piano, it has a faster tempo, but little emotional impact to me – the song is more fun than soulful. To me, surprisingly enough, The Tossers give it more of the traditional treatment, keeping with the slower pacing. The American Wake bring the tempo up more from The Tossers, starting slower till they explode with some energy. The speed is fun but the mournfulness and soul are lost in the joyful  playing of the song.

The Mudmen and The Dirges rock the song up the most, though The Mudmen make you wait for it, the bagpipes are the most unique feature of The Mudmen’s version and the vocals evoke more anger than mourning, but considering anger is a reactive emotion to pain, mourning, injustice and hurt, it works well. The Dirges don’t tease you with their hard rocking version, straight from th e gates, it is hard and fast, the music and lyrics much more raw.

This brings me to my two favorite versions – Hoist the Colors and Cutthroat Shamrock. Hoist the Colors is the more traditional of the two, easily capturing the evocative emotions of the song, not rushing through, the longing in the vocals. Cutthroat Shamrock’s version clearly belongs to them, with their Appalachian touch to the song that speeds up the tempo, but not too much. The vocals still capturing the emotion of the song while you are tapping your feet on the ground.

There is not a bad version in the bunch, but if I had to choose only one version to listen to, I would have to give it to the mountain men Cutthroat Shamrock, and that would even be over the Pogues version (some may consider that blasphemy, but just my humble ole opinion.)



Between The Wars – Won’t Go Quietly Interview

BTW-WGQBack on July 3, 2011, I wrote and posted my first ever review. The review was for the Aussie band Between The Wars for their debut album Carried Away. At the time, these guys from down under put their trust in an untried Yank with only a three blog posts to his name and no history of reviews. So it is very fitting that they have placed their faith in me to do my first interview about their upcoming CD set for pre-order in February and being launched on St Pat’s day. Jay contacted me via Facebook and below is the interview questions that followed as result.

In case you have not heard of Between The Wars, they are a six piece band from Melbourne, Australia started in 2009. They are Aaron Allen – mandolin & vocals,  Hayley Anderson – violin, Dan Scalpelli – drums, Jay Stevens – vocals & guitar, Jason Hatcher – vocals & ukulele, Paul Trevorrow – bass & vocals. I have reviewed their two releases, Carried Away and The Rats to help you get acquainted with this great young band from below the equator.

RTC:  How long have you guys been playing music?
Jay:  We’ve all been in different bands over the course of many, many years – i’ve been doing stuff musically since I was about 15 (so 15 years for me). Jason and I have been in a few bands together as we’ve been best friends since high school. Aaron has been a solo artist as well as working with his band The Dufranes for a long time. Hayley was in a band called Zeptepi before joining us, Paul’s been doodling around on guitar, bass and drums since he was a teenager, and Dan has been in a few bands from the outskirts of Melbourne. Basically we’ve all been in bands before which is why there is little to no politics in this band – we don’t do drama, we mesh well and make decisions together as a group.
 RTC:  How did you all meet and how long had you known each other before deciding to form the band?
Jay:  Jason and I formed this band in 2009 with the help of English singer/songwriter John Mccullagh. As I said before, Jason and I have known each other since high school and have played music together for the same amount of time. Between The Wars has gone through many lineup changes over the past 3 and a half years, with the current one the most solid it’s ever been (the majority of the band have been in the lineup since the start of 2011). Paul was a fan of the band who I befriended and filled in for us on bass for a couple of shows before we asked him to join full-time. We played with Aaron’s band (the Dufranes) in 2010 a few times and we always got on well – we were looking at expanding the sound and asked him to join on mandolin in early 2011 after he played with us for a friend’s birthday. Dan joined us at the end of 2011 after we had some issues with the previous drummer – he has been one of the main reasons our sound has evolved over the past year. Hayley is our newest member, joining the band in September after leaving her previous band Zeptepi for personal reasons. We haven’t had a huge amount of luck with violinists over the years and it’s awesome to have someone in the band who’s so passionate about our music! We knew she was going to be a great fit from the moment she walked into the rehearsal room with printed musical notes for three of the songs that are on the new record.
RTC:  The band name comes from the Billy Bragg song “Between The Wars”, what about that song spoke to you guys that inspired you to name the band after it?
Jay:  The band name was my idea. Between The Wars is one of my favourite songs, and it really sets the precedent for how I wanted to move forward lyrically – telling stories like Bragg does and putting our songs and lyrics in different settings, rather than the oft-used odes to love and relationships that I was so used to previously.
RTC:  Who are some of your musical influences?
Jay:  Personally, I draw influence from traditional groups such as the Dubliners, Christy Moore and the Wolfe Tones (and pretty much anything Derek Warfield does), as well as more contemporary celtic bands such as the Pogues (and the Popes), Flogging Molly and the Dropkick Murphys. For this record, I really drew a lot of lyrical inspiration from Frank Turner, Jamie Hay, Billy Bragg, Midlake and Bruce Springsteen, and musical influence from Hoist The Colors, the Roughneck Riot and our Melbourne friends the Shadow League. The other members all come from massively different backgrounds, so I’d be loth to include their influences – but I can name a bunch of bands that we’ve discussed at various points such as Snuff, Bad Religion, Descendents, Propagandhi… and most of us love Springsteen.
RTC:  What drew you to Celtic music and what was your muse to put your own spin on it?
Jay:  I was jaded about writing pop-punk songs about unrequited love as I had for (at the stage) the past eleven years. John Mccullagh introduced me to Christy Moore and the Wolfe Tones and I was immediately inspired to start writing tales and stories. This band owes a lot to John for that one moment he asked me to learn “Ride On” by Christy Moore!
RTC:  How do you feel you have grown over the years playing together?
Jay:  If you listen to each of our records, starting with 2010’s “Carried Away” and finishing with this new record once it’s released, you’ll hear a band that originally wasn’t 100% sure of what it was doing, wasn’t 100% in its collective direction, but is now solid and excited about playing music together. We have crafted and created each of these songs meticulously, with input from every single member in the band, which is something that hadn’t really been done in the past. You’ll hear a band go from being a dictatorship to a collective democracy with everyone getting a say; this is so evident on the new record. There are the majority of songs with me singing, but there are also three songs on the record with other members doing the lead vocals (uke player Jason on “Ever Present Storm” and “Afraid of Death” and mandolinist Aaron on “I Won’t Ever Get Between My Woman And Her Whiskey Anymore”).
RTC:  How do you go about writing your songs?
Jay:  I’m a lyrics-first writer, always writing down phrases and lines. From there, if I have something lyrically good (or malleable lyrics at least), I’ll pick up the guitar and fiddle until I get a good chorus hook, something that works in a repeating context. Then I’ll move to the verses and try and put together something that fits with the chorus chords and melody. My next thing is to put those down in an iPhone voice memo or on Soundcloud and listen to it later and see if it needs changes or additions (ie main riffs, or verse introductions etc).
From that, I’ll take the songs to rehearsal and see what the others think. If they like it, we begin arranging (which is my favourite part). I’m lucky to be surrounded by incredibly creative people who come from really different musical backgrounds so they being different things to the table when it comes to my songs. This takes them in directions I may never have imagined. We have a song on our new record called Oh Penny! which was written just as a slow acoustic folk song and I wasn’t 100% on it, but it’s changed almost to a celtic folk punk band version of a Springsteen song.
RTC:  In the pre-interview chat, you said you guys were being really conscious of setting yourselves apart from other bands you are friends with like Ramshackle Army, the Rumjacks, the Roughneck Riot and Zeptepi. How are you going about that?
Jay:  First of all, I say that with no disrespect to those bands at all. We love them! I guess in a “scene” with so many different celtic bands (be it celtic punk like the Ramshackle Army, the Roughneck Riot or the Rumjacks (RIP) or celtic folk like Zeptepi), it’s easy for bands to sound the same. You can draw a line from a few bands that we’ve heard over the years directly to the Dropkick Murphys or the Pogues or whoever. What we really tried to do, especially on this record, is to make each and every song sound a little bit different – we didn’t want a record with 13 songs all following a similar beat or lyrical theme or whatever. I want the listener to listen to the record and be intrigued or have their interest piqued by each song’s difference. I have no interest in keeping our sound the same as what it was on 2011’s “The Rats” EP. Whilst I love that record and I’m very proud of what we did, I didn’t want to write the same old songs with the same old sound.
RTC:  What should your fans expect from your new release?
Jay:  It’s a bit different to what we’ve released before, but not so vastly different that you’ll be switched off from it. We’re constantly evolving and striving to create the best record we can make at that point in our lives. I think people will really love it! I hope so anyway.
RTC:  How do you feel your music has progressed over the years? And where do you see it going?
Jay:  As I mentioned before, we’ve progressed from being unsure of where we stand as a band, to being more surefooted in the way that we go about creating our music. As for where I see it going, I can’t tell you. “Won’t Go Quietly” contains some of the best lyrics I’ve ever written and I’m supremely proud of the whole record. We’ll see where this takes us musically and go from there!
RTC:  When are you opening up the pre-orders for the new album? What about international orders?
Jay:  Pre-orders open for “Won’t Go Quietly” on Monday 11th February, worldwide, through the Slippery Slope Recordings (our label) online store ( The record’s scheduled release date is St Patrick’s Day (17th March).
RTC:  How are you guy celebrating the release? Any release parties planned?
Jay:  We’ll most definitely do a Melbourne launch show and hopefully a few others around Australia (Brisbane, Sydney, and some country Vic shows). I’m heading over to England in October to play a fortnight of shows, so looking forward to that as well.
RTC:  How do you see the scene the Celtic Punk scene growing in Australia and what do you think some of you  major hurdles are to developing a following nationally and internationally?
Jay:  It’s exploded over the past few years with bands like the Ramshackle Army and Paddy McHugh & the Goldminers becoming more and more popular, in addition to old favourites like the Go Set and Mutiny still maintaining a good following here and overseas (although Mutiny are restricting themselves to one or two shows per year now). We’re proud to be a part of a burgeoning scene. Major hurdles for us nationally is that it is very expensive to tour Australia, mostly you have to fly between capital cities and that can prove prohibitive for a six-piece band. Similarly for an international following, it is quite expensive for us to go overseas (although we are proud of our friends’ bands that have made the big jump overseas like the Ramshackle Army and the Go Set). Half the band has young families too which makes it really difficult to come and see you all for an extended period of time. I’m hoping that our UK tour in October (although the whole band isn’t making the trip) will help with our international following, and hopefully people from all over, with thanks to websites like yours and podcasts like the Grinning Beggar’s, get a chance to have a listen to our new record. And hopefully enjoy it!
RTC:  Where do you guys want to see yourselves in a year? Five years?
Jay:  In a year, hopefully we will be writing again, playing some good supports for international bands over here in Australia and just enjoying what we do. Five years is a long time in music, our band isn’t even four years old yet so I can’t really answer that. I just hope we continue to enjoy playing live, continue writing good songs, and basically just have fun. That’s what it’s all about, isn’t it?
RTC:  OK, here is a catchall – What else would you like my readers to know that I may have forgotten to ask?
Jay:  We hope you enjoy the new Between The Wars record “Won’t Go Quietly”, we’re proud as hell over it and really hope you get as much out of it as we put into it. Please let us know what you think on our Facebook page. Thanks heaps to Randall for doing this interview, we hugely appreciate it.
Jay was kind enough to send me a rough cut of one their new songs, “Worst Enemy”, and I from what I have heard, I am eagerly waiting on the final product! The evolved Between The Wars sounds edgier but still with the great story telling lyrics that I have enjoyed from their songs. I can’t see how you can go wrong by pre-ordering their new release Won’t Go Quietly starting February 11th by cruising over to and then enjoy on St Pat’s day with some music!

Dropkick Murphys Signed and Sealed in Blood Review

dkm signed and sealed in bloodThe eagerly awaited Dropkick Murphys Signed and Sealed in Blood just came out. I took a half day off work so I could pick up the physical CD in addition to my digital download using my Xbox Music subscription. I have been listening to it just about non-stop since 8 this morning. While I certainly don’t expect any of the Murphys to read my little blog, it is not for them I write this for, but for myself and the fans of Celtic Punk and Rock.

From the opening of “The Boys Are Back” you are catapulted with the raucous speed DKM is known for and singing along with the chorus. “Prisoners Song” continues the rapid rocking bringing about hard foot stomping and head banging with the DKM trademark style. “Rose Tattoo” is my favorite on the album, with the clear traditional influence being borrowed but not overpowering. While instrumentally not their hardest rocking song, the vocals are extremely powerful. “Burn” ramps the instruments back up and delivers a frantically rocking song. “Jimmy Collins Wake” is an ode to a famed baseball player of the Boston Americans. It is another foot taper though not as fast as the other songs on the album. “The Seasons Upon Us” is a Christmas song about a dysfunctional family of misfits and annoying relatives. “The Battle Rages On” brings the speed back up after the last two slower songs. “Don’t Tear Us Apart” is another melodic song that when you really listen has some deep lyrics. “My Hero” is another ode, this time to on ode and praise to the “old man”. “Out On The Town” is fun hopping song, sure to get you moving! “Out of Our Heads” is another chorus (or should I say shouting) joining song. The album ends with “End of The Night”, bringing a slower pace and well placed as the last song. The song is a great farewell song in my opinion, joining the likes “The Parting Glass” and “Health To The Company”.

This year looks to be a great year of Celtic Punk and Rock releases with Lexington Field and Sir Reg’s albums set to come out within the next few months and DKM has set the bar high for this upcoming year. Signed and Sealed in Blood is trademark Dropkick Murphys – good solid lyrics, great instrumentation and punk rough vocals. I did find the beginning of the album to be the strongest with the first four songs being my favorite. The latter 7 songs were all solid but lacking the magic I found in the beginning. I would be quite surprised not to see this album on the end of year Top Of lists come December.

Track listing:

  1. The Boys Are Back
  2. Prisoners Song
  3. Rose Tattoo
  4. Burn
  5. Jimmy Collins Wake
  6. The Seasons Upon Us
  7. The Battle Rages On
  8. Don’t Tear Us Apart
  9. My Hero
  10. Out On The Town
  11. Out of Our Heads
  12. End of The Night